The Khajuraho temples were built during the reign of the Chandelas. While some show marks of a Shaivite sensibility, others clearly manifest the influence of Vaishnaism, Jainism, and tantrism. These temples have an architectural character distinct from that of any other group of temples elsewhere in the country. Instead of being contained within the customary enclosure wall, each temple stands on a high and solid masonry terrace. Though none of the temples are very large, they are still imposing structures because of their elegant proportions and rich surface sculpture.
The Khajuraho temples and History India arts of sexual now grace the posters of the Indian Tourist office, and numerous films have been shot at the temple grounds. It is with these temples in the background that some of the greatest exponents of Indian classical dance have performed for admiring audiences. But it is in discussions ranging around the cultural construction of sexuality that Khajuraho has featured prominently. The sheer eroticism of the sculptures is often pointed to as evidence of India's libertine past. Thus, gays and lesbians have found in Khajuraho evidence of the enlightened attitudes of the pre-modern Indian culture, while others point o the allegedly baneful influence of the Islamic and British presence in India, which is supposed to have led to repressive sexual mores. But few have asked what Khajuraho tells us about everyday notions of sexuality, or what inferences we are to derive about Indian sexual mores and practices from these temples.
[ Source : sscnet.ucla.edu ]
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